60x50
Friday, March 12, 2010

Popularization

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According to John Tobler’s This Day In Rock (1993), it was on this day in 1965 that guitarist Eric Clapton left The Yardbirds, soon after t...
Tuesday, March 9, 2010

In The Pink

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The BBC has reported Pink Floyd has initiated legal action against its record label EMI “over payment of online royalties and the marketing...
Wednesday, March 3, 2010

Deprivation And Chickenshit

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Popular music remained, of course, the standard material of radio broadcast during the Second World War. The crucial difference, however, wa...
Tuesday, March 2, 2010

Death Without Publicity

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During the Second World War, the war publicity machine widely trumpeted the names of Allied military commanders. In its putative morale-buil...
Sunday, February 28, 2010

St. Louis Blues March

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Although a fragile form of interracial dialogue had been established within the pre-war swing subculture, after the end of the Second World ...
Saturday, February 27, 2010

Hobgoblins

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Some time ago, I wrote about the phenomenon of the one-hit wonder , a designation used within the music industry to refer to a musician or b...
Tuesday, February 23, 2010

Wholesome Behavior

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In Friedrich A. Kittler’s Gramophone, Film, Typewriter war occupies a central place, serving as a crucial factor in media transformation. K...
Saturday, February 20, 2010

The "Segregated Musical"

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By 1940, both America and the rest of the world recognized swing music as America’s “most distinctive contribution” to world musical culture...
Friday, February 19, 2010

Hard Bop

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An oft-repeated tale in the annals of modern jazz has it that bebop was born at Minton’s Playhouse in New York City in 1940, where the house...
Wednesday, February 17, 2010

Common Cause

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In my last entry I wrote about Casablanca (1942) as an example of wartime propaganda, about how the film enacted the ideological need to va...
Monday, February 15, 2010

Hill of Beans

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In my blog entry yesterday, I wrote about the effect of World War II on jazz music, and how it rendered the modernist values jazz had come t...
Sunday, February 14, 2010

The Sing-Along

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The effect of World War II on jazz music was to render the modernist values jazz had come to represent in the 1920s and 30s—individualism an...
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Sam Umland
United States
Professor of English
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