I suspect many Elvis fans are delighted with today’s eagerly-awaited announcement by Warner Home Video that it has finally scheduled the rel...

As a consequence of writing my previous blog entry on The T.A.M.I. Show (1964) a couple of days ago, I’ve been preoccupied by various issue...

I finally managed to sit down and watch Shout! Factory’s DVD issue of The T.A.M.I. Show (1964, 112m 25s), which received a heavily-hyped re...

There’s a fine essay by Charles Wolfe, titled “Presley and the Gospel Tradition,” in the now somewhat aged but excellent book edited by Kevi...

In Douglas Sirk’s grand melodrama Written on the Wind (1956), the river represents a sort of lost innocence, a past happiness (however ill...

When I heard the wholly unexpected news yesterday of Alex Chilton’s death at age 59, I immediately thought of a line from F. Scott Fitzgeral...

Finally having begun reading the essays in Kevin M. Flanagan’s important edition, Ken Russell: Re-Viewing England’s Last Mannerist (Scarecr...

The sequence in Jailhouse Rock (1957) showing a dirty, sweaty Elvis Presley (playing Vince Everett) in the prison coal yard is the closest ...

According to John Tobler’s This Day In Rock (1993), it was on this day in 1965 that guitarist Eric Clapton left The Yardbirds, soon after t...

The BBC has reported Pink Floyd has initiated legal action against its record label EMI “over payment of online royalties and the marketing...

Popular music remained, of course, the standard material of radio broadcast during the Second World War. The crucial difference, however, wa...

During the Second World War, the war publicity machine widely trumpeted the names of Allied military commanders. In its putative morale-buil...