Friday, September 18, 2009

Bang The Drum All Day

Apparently, Marlon Brando once wanted to be a jazz drummer, and was a big fan of Gene Krupa. Widely considered to have been the first drum soloist, Gene Krupa interacted with his fellow band members in such a way as to introduce into jazz music the extended drum solo. His flamboyant performances are preserved in movies such as Hollywood Hotel (1938), Ball of Fire (1941), Beat the Band (1947), and The Glen Miller Story (1953). Watching Krupa in these movies, flailing away with his sticks as he performs his sexuality and masculinity, was clearly an influence on many of the first generation of rock drummers (check out Krupa’s performance in this youtube video).

Given that early rock culture was so influenced, if not outright imitative, of jazz culture, especially in its emphasis on individualism, it is not surprising that rock drummers eventually incorporated the extended solo. The Who’s Keith Moon, perhaps the most overtly imitative of all rock drummers of Gene Krupa’s flamboyant style, no doubt contributed to the popularity of the drums. The popularity of drum solos seems to have grown during the 60s, peaking around 1968-69, for reasons that are not entirely clear. Rolling Stones’ drummer Charlie Watts once remarked, “I don’t like drum solos, to be honest with you, but if anybody ever told me he didn’t like Buddy Rich I’d right away say go and see him, at least the once.” I happen to agree with him: I’ve never particularly liked drum solos. I think they are boring. But if you twisted my arm, though, I’d probably say that Ron Bushy’s drum solo in “In-A-Gadda-Da-Vida” as the one I dislike the least, primarily because of his use of the Leslie speaker. Nonetheless, there are more than a few drum solos worth mentioning.

12 Songs With Drum Solos:
Ron Wilson – “Wipe Out” (Wipe Out, 1963)
Hughie Flint – “What’d I Say” (Blues Breakers with Eric Clapton, 1966)
Keith Moon – “Cobwebs and Strange” (A Quick One, 1966)
Fito de la Parra – “Fried Hockey Boogie” (Boogie With Canned Heat, 1968)
Ginger Baker – “Toad” (Wheels of Fire, 1968)
Ron Bushy – “In-A-Gadda-Da-Vida” (In-A-Gadda-Da-Vida, 1968)
Bobby Colomby – “Blues, Pt. 2” (Blood, Sweat & Tears, 1968)
Danny Seraphine – “I’m A Man” (The Chicago Transit Authority, 1969)
Ginger Baker – “Do What You Like” (Blind Faith, 1969)
John Bonham – “Moby Dick” (Led Zeppelin II, 1969)
Michael Shrieve – “Soul Sacrifice” (Woodstock, 1970)
Bill Ward – “Rat Salad” (Paranoid, 1970)

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